The reason is not that the new play is new, but that she takes a space walk and dances a Michael Jackson dance
This authentic MJ dance is actually Seydoux’s freestyle
For many people, this is Seydoux’s “hidden skill”. In fact, when she was shooting 007: no time to die last year, she came to the set for a piece. Director Cary Fukunaga also made a special film on INS:
Seydoux has said in an interview that she is a “super fan” of MJ. She has read his biography over and over again, learned his dance, and wondered how such a quiet and shy person could become a king on stage.
In fact, Seydoux herself is a “contradiction” with great contrast. When she shot vogue Paris the cover this time, she challenged three completely different styles: neutral, sexy and street.
The temperament of French women is ever-changing, free and unrestrained. When we look at the handsome Seydoux, we think of Adele’s life with a touch of blue hair and countless girls
Looking at the sexy Seydoux, we think of the blonde and red lipped woman in 007: Ghost party
People chant “how can miss Lei be so charming” and “how many surprises do you have that we don’t know?” they all bow down to her charm, but Seydoux’s evaluation of himself is completely the opposite——
“I can’t stand looking at myself on the screen. I see embarrassment. I prefer to imagine who I am rather than the person on the HD screen. The magnified details make me uncomfortable. ”
However, Seydoux’s “self abasement” is more than that. If we start from her family background, it will be quite a “Versailles” scene
Her family has been famous for nearly a hundred years. Her ancestors were aristocrats sitting on the Chateau manor. Her grandfather and grandfather were directors of the two oldest and largest film companies in France respectively. Her uncle was a film producer or a director of the French football club. Her father was the founder of a French wireless company. In short, she was famous and had no reputation in France No one knows. But Seydoux always denied that her family had any help to her career, and she never asked them for help, and she thought that she was “lonely and not free” in such a family.
For another example, she said why she chose to be an actress: “I don’t like modern life. I don’t have a TV or Internet in my home. I’m afraid of those things, and I can’t drive. So I choose to be an actress because people will take care of me. I can travel all over the country, stay in great hotels, and someone will provide you with clothes and beauty… This career is like a refuge.”
On the one hand, she collaborated with numerous major directors, from French red to Hollywood. On the other hand, she said that she only wanted to learn cooking and gardening at home on the Seine River. “I can disappear, I like to disappear. I may be the only actress who doesn’t want to be seen “I don’t want to work. I want to have time for myself. ”
From this point of view, Seydoux’s remarks seem to be a bit “affectable”. For most girls in ordinary life, this is completely the “swelling trouble” of celebrities and rich people. To open one’s mouth is to learn from others.
To a certain extent, no one is more “Versailles” than Seydoux. After all, they were born in Paris and played in Versailles, and even performed in the palace of Versailles.
But at this point, we still have to start turning. L é a Seydoux said:
“France people are bitching about everything.”
She’s talking about other people, and she’s talking about herself. We always preach how French women are free, self-centered and spontaneous. It’s not only about appearance, but also about speech, attitude and character.
In today’s dualism dominated world, all speeches are correct, especially for public figures, because every sentence may intentionally or unintentionally hurt / disrespect a certain group, be misinterpreted, and then lead to attacks.
For women, people are more in pursuit of “correct” guidance: self-confidence, self love, self consistency; inferiority is wrong, it is wrong to imitate others, it is wrong to accept only one aesthetic.
Therefore, the more slogans are chanted, the more positive words women, especially female celebrities, must say. There’s nothing wrong with that. But when we complain like Seydoux, “I want to be noticed, and I hate to be noticed,” we are also relieved – of course, people are contradictory, which is a real part of human nature. In Seydoux, we see “Versailles” and “the real world”.
Only from the appearance, she thinks she is very beautiful, but also not beautiful at all. Anyway, she is not the kind of beauty in the crowd. She says that she is like a boy, clumsy, not elegant, and her nose is not feminine. “But I don’t care. I’m narcissistic like all actors, and I’m vulnerable at the same time.”
I believe that many girls can take their seats in the right place – no matter how successful and perfect a woman is, she will always be critical and dissatisfied with herself, won’t she? On the other hand, we always want to show our self-confidence in front of others, don’t want to hear their own judgment from others, and finally we tend to wander back and forth between the scales of self-confidence and inferiority. It’s no shame to admit that.
Taking Madeleine, her most famous “Bond girl”, as an example, from the right angle, we will certainly describe it as a color different from the traditional bond girl. She is more independent and powerful. In the latest film, there is even a Hollywood talented woman writer Phoebe Waller bridge to make the color more full; But for the audience, no matter how to publicize the uniqueness of this color, it can’t get out of the frame of “Bond girl”, which itself has a deep-rooted male view. In bond’s world, such a “vase” can’t be subverted in essence.
At this point, Seydoux said, “people probably forget that bond is also a sexual object. Women like to see bond’s good figure, right?” at this point, there is no essential difference between men and women in this series.
It’s a big truth. We always emphasize not to materialize women, but for the beauties on the screen, both men and women will inevitably carry the examination and desire from the audience. Moreover, admitting this nature does not mean denying the taste and novelty of this color. Seydoux doesn’t have strong words, but uses a seemingly stereotyped impression to make people have a sense of identity from the heart. Instead, it liberates this color.
Beautiful actresses can easily be said to be “vases.” Seydoux responded by quoting a sentence from French famous director Fran C OIS Truffaut: “actresses are like vases. What you have to do is put the flowers in.” She does not deny that she is a vase to some extent, but “no matter what the director wants to present, I will accept it.”
In the past two years, there has been more and more discussion about the differences between male and female film creators. Seydoux’s view is very straightforward: “male directors always express their desire for women – how they want women to wear and dress; female directors are more like projecting themselves into their works.” Then she said, “if I make a movie, I will choose the type of man I like. It’s just a projection of desire.”
As for the issue of women’s rights, the degree given by Seydoux is still not vulgar: “it’s good to be a feminist, but we should also be male chauvinists, and vice versa. Men should also be feminists, and we should support each other.”
It may sound Utopian, but Seydoux can say that, including all the above remarks, because she lived and grew up in a relatively free and equal environment, “I have never felt inferior to men, never thought that I can’t do something because I am a woman. I’m very lucky, because I know that not everywhere is like this. ”
We are too used to binding everything with the right, and are too harsh on the occurrence of mistakes. More and more people say the right words, but actually do the opposite. We can’t be loyal to others or even ourselves. Perhaps the most worthy thing for people to learn from French women is not to dress or dress, but to express themselves more freely and frankly, to talk about gender and desire, to talk about inferiority and narcissism, and not to avoid their own contradictions, entanglements and confusion.
Every human individual can’t use “right” and “wrong” to distinguish between black and white. It’s full of reality that is a person’s charm. Like l é a Seydoux, it’s Versailles, it’s cute.